Mado Jolain céramiste: Côté maison, côté jardin. Océanie the remains of the palace

the remains of the palace of the local kings

this book offers an immersion into the beginnings of the history of technology

They carry taboos and prejudices that we unknowingly obey

I use the natural material of the place to leave my own mark

un richissime banquier et entrepreneur

Mado Jolain céramiste: Côté maison, côté jardin. Océanie the remains of the palaceIn the ceramics landscape of the 1950s, the work of Mado Jolain (1921 2019) seduced with its modernity and the formal interplay she multiplied. The ceramist very early on showed a preference for simple, architectural volumes, crafted in such a way that the subtle articulation of light and shadow could flourish. In the early 1940s, Mado Jolain began studying ceramics at the cole des Arts Dcoratifs in Paris and at the same time attended the drawing and